We tend to think and feel in terms of the art we like; and if the art we like is bad then our thinking and feeling will be bad. And if the thinking and feeling of most of the individuals composing a society is bad, is not that society in danger?

Experience teaches only the teachable.

So the journey is over and I am back again where I started, richer by much experience and poorer by many unexploded certainties. For convictions and certainties are too often the concomitants of ignorance. Those who like to feel they are always right and who attached a high importance to their own opinions should stay at home. When one is traveling, convictions are mislaid as easily as spectacles; but unlike spectacles, they are not easily replaced.

We lie to ourselves in order that we may still have the excuse of ignorance, the alibi of stupidity and incomprehension, possessing which we can continue with a good conscience to commit and tolerate the most monstrous crimes.

The legs, for example, of that chair--how miraculous their tubularity, how supernatural their polished smoothness! I spent several minutes--or was it several centuries?--not merely gazing at those bamboo legs, but actually being them---or rather being myself in them; or, to be still more accurate (for "I" was not involved in the case, nor in a certain sense were "they") being my Not-self in the Not-self which was the chair.

That men do not learn very much from the lessons of history is the most important of all the lessons of history.

Culture is like the sum of special knowledge that accumulates in any large united family and is the common property of all its members. When we of the great Culture Family meet, we exchange reminiscences about Grandfather Homer, and that awful old Dr. Johnson, and Aunt Sappho, and poor Johnny Keats.