Europe has never been a monolithic space, it contains a lot of people, a lot of languages and infinite supplies of history. I didn't need to do anything to showcase diversity. It is a condition of life and art in Europe, contained in every random sample.

The beauty of literature - also its limit - is that it is inescapably personal, even if you're writing science fiction.

You can see the diversity that pieces in the anthology represent, and then the interconnections-obvious and less obvious-between various stories or between various modes of storytelling. Diversity generates need for conversation, conversation generates common interests, as well as differences. Literature, as a human project, is all about that.

I much preferred winning to thinking and I didn't like losing at all.

My books have been published all over Europe. They read me there, and I want to read them back. I also spend a lot of time in Europe, often meeting writers, and I'm sick of apologizing for the embarrassing shortage of translations in America.

We apply the language that is comforting and comfortable and familiar in order to grasp that which confuses and scares us. That is the first step toward cliché and stereotype, as they're comforting devices. They reduce the confusing world to the already familiar. We're always smoothing out the bumps of actual living to turn it into narratable life.

The people who listened to rock 'n' roll, I thought, were bound together against the people who didn't listen to rock 'n' roll. That, of course, didn't work at all. Your taste in rock 'n' roll does not say anything about you, morally or otherwise.