Every artist, writers included, have an ethics and an aesthetics, whether they can formulate them or not. I happen to think that it is good to be able to formulate - it is good to know what you are doing and to be able to talk about it.

Europe is a rapidly changing place, on every level. Immigration, post-communist transitions, the unification, steady presence of war and conflict, the inescapable challenges to the notion of national literature/culture-it all exerts pressure upon writers who must be aware of the transformational possibilities of the situation.

You don't want your neurosurgeon to have doubts about the meaning of it all while he or she is operating on your brain.

I dont make notes for myself because I either lose them or they make no sense to me at all. I once found a piece of paper with the note: everything. Apparently I made a note to myself not to forget everything!

Our daughter was born in Chicago, and she's already showing it. The temperature has to be approaching zero for her to wear a hat.

The mind is complicated and you can't trace the roots of its processes, but there is something about mathematical and algorithmic patterns that I like to recognize in things.

I've never had a stupid student in my life. I never look down on my students. I never thought, "Look at these people." I might argue with them and I think that some of them might have misconceptions - that they might be infected by the intellectual laziness that is the foundation of American popular culture, and of capitalism, if you wish. But part of my job as a teacher is to work with that - against that.