Producing is the antidote to acting. Producing is practical problem solving all day long. As opposed to endless self-obsession and navel gazing.

There are so many factors that go into how you feel, as a performer, on any given movie, that it's really hard to identify which things are the things that help you be good, and which are the things that hinder you.

As far as my notoriety or whatever, I haven't been the star of a hit film.

A lot of the time with child actors, you get the feeling they’re trying to have a kind of poise or presentation that’s beyond their years that might be put on, but also might be because they’ve spent years just hanging out with adults and they don’t even have a sense of what it’s like to grow up with kids their own age.

Barry Levinson is such a deceptive director, because he seems really lackadaisical. I'd never worked with him before, and I almost got the impression that he didn't really care that much because he was so laid-back. Sometimes we'd finish filming hours before the day was over, which is just unthinkable in any other film experience I've had. I couldn't believe that Barry had the passion for it.

Yeah, I’ve played a lot of instruments, and I played in a lot of bands growing up and I’ve even had to play music in a lot of films that I’ve done.

You're making these movies for pennies, there's absolutely nothing to offer anybody, and they will still fight you! "There's no more back-end for him? Well he'll have your back-end! He'll take your first born child!" Producing is totally exhausting.