My film is intentionally political. And I think that's really the issue.
The future is always a dystopia in movies.
I don't think about Hollywood at all.
The original deal we made was that Walker would be treated like a regular movie, rather than an arthouse thing.
Unfortunately my career began in Hollywood, doing a negative pickup for Universal pictures.
The way that a handful of corporations in Los Angeles dictate how our stories are told creates a real poverty of imagination and it's a big problem.