The original deal we made was that Walker would be treated like a regular movie, rather than an arthouse thing.
My film is intentionally political. And I think that's really the issue.
The future is always a dystopia in movies.
Everybody gets a little dose of Shakespeare. He's the greatest playwright in the English language, but his politics are fairly square.
I don't think about Hollywood at all.
No, I did a film called 'Death and the Compass' as well.