You fish, swim, eat, laze around, and everyone's so friendly. It's such simple stuff, but... If i could stop the world and restart life, put the clock back, i think I'd restart it like this. For everyone.

As for me... I'm fine. I have bad dreams, but I never saw Mister Duck again. I play video games. I smoke a little dope. I got my thousand-yard stare. I carry a lot of scares. I like the way that sounds. I carry a lot of scares.

Waking was the most reliable part of a dream, as built into dreams as death is to life. You dream, you wake: you live, you die.

If I'd learnt one thing from travelling, it was that the way to get things done was to go ahead and do them. Don't talk about going to Borneo. Book a ticket, get a visa, pack a bag, and it just happens.

I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.

I can kid people, including myself, into believing that something on the page will work. But when you film it, you just think, "Oh ...".

I never feel a huge need for backstory in my novels or films. Quick sketches are often enough. When you encounter people in life - like a chance encounter at a bar or wherever you happen to be - you make these incredibly quick, quite intricate decisions about people based on very small amounts of coded information. We're good at that. Long descriptions prior to meeting someone or as you're getting to know them almost don't work.