I try to be a man of mystery. I try to keep the various projects I'm up to as close to the vest as possible until it's time to reveal them.

I absolutely love television. What's so great about TV is that I can tell 20 stories in a year. If I was working at a feature studio, I'd tell 1% of someone else's story, over the course of four years.

As long as I could hold a pencil, I was drawing and telling stories and making jokes. I've just been lucky that no one ever stopped me, and now I can do that for a living.

I built a leprechaun trap that was made to look like a tiny hotel. There was a ramp where the leprechaun could walk into the hotel, see a Lego pot of gold on the other side, try to reach it, fall through a trap door, go through a tube, wind up in a biscuit tin, and be trapped. My mom, encouraging my madness, told me that the leprechaun might escape and that I needed a shot glass of whiskey down there to keep him occupied while he was in there.

The concern about what's too violent or what's too scary is something that I just completely don't let enter into my creative process. I feel like, if I spend a lot of time trying to worry about whether it will appeal to everyone and who will like it and who won't, and I try to please everyone, I'll just spread myself too thin and lose my mind.

I'm a very relentless individual and have a lot more insanity coming.

You can look at a finale as chance to make an impact or a statement, to shock people or shoot a big cannon and make a loud noise.