Some people could say, "I'd like something that's super dramatic and miserable and made me cry and made me sad forever" but that's not my taste.

If you ask anyone in animation, how long they've been into animation, they'll pretty much always tell you that it's since they can remember, and I'm no exception.

In terms of creative engagement, I just love being able to produce, produce, produce. You don't always get it perfect, but it has much more of an improvisational element, and you learn.

I try to be a man of mystery. I try to keep the various projects I'm up to as close to the vest as possible until it's time to reveal them.

A sibling is a friend for life, but they are a friend for life that you are forced to have. And like anything that you are forced to do, occasionally people will drive you crazy.

I thought that was the coolest thing in the world, the idea of somebody trying to solve mysteries. I would see conspiracies in everything. I think I believed in leprechauns longer than any of my fellow classmates because I tried to catch them.

You can look at a finale as chance to make an impact or a statement, to shock people or shoot a big cannon and make a loud noise.