If you ask anyone in animation, how long they've been into animation, they'll pretty much always tell you that it's since they can remember, and I'm no exception.

I think twins can sometimes be shoved into the same mold and they can start to feel like they're not being given a chance to develop their own identities.

There is a very specific, unique brand of rivalry that exists between twins. You're always wondering who the Alpha twin is.

I thought that was the coolest thing in the world, the idea of somebody trying to solve mysteries. I would see conspiracies in everything. I think I believed in leprechauns longer than any of my fellow classmates because I tried to catch them.

When I was a kid, I was obsessed with UFOs in particular, and the paranormal. I grew up in the '90s, which is when The X-Files was at its zenith.

I built a leprechaun trap that was made to look like a tiny hotel. There was a ramp where the leprechaun could walk into the hotel, see a Lego pot of gold on the other side, try to reach it, fall through a trap door, go through a tube, wind up in a biscuit tin, and be trapped. My mom, encouraging my madness, told me that the leprechaun might escape and that I needed a shot glass of whiskey down there to keep him occupied while he was in there.

You can look at a finale as chance to make an impact or a statement, to shock people or shoot a big cannon and make a loud noise.