If you ask anyone in animation, how long they've been into animation, they'll pretty much always tell you that it's since they can remember, and I'm no exception.

When you're doing an animated series, you tend to pitch storyboards. You write a script and then you draw a comic version of that script and put it up on big boards, and then you pitch it to a big room of executives and writers.

When I was a kid, I was obsessed with UFOs in particular, and the paranormal. I grew up in the '90s, which is when The X-Files was at its zenith.

There is a very specific, unique brand of rivalry that exists between twins. You're always wondering who the Alpha twin is.

When I was 12 years old, I was obsessed with codes, conspiracies, and secret messages. I would record TV commercials with SoundRecorder.exe on Windows 95 and reverse them to see if I was being subliminally influenced to watch Pokémon by Japanese spies.

I remember as a kid being scared of the things that go bump in the night, but I was way more scared of adults.

Some people could say, "I'd like something that's super dramatic and miserable and made me cry and made me sad forever" but that's not my taste.