I absolutely love television. What's so great about TV is that I can tell 20 stories in a year. If I was working at a feature studio, I'd tell 1% of someone else's story, over the course of four years.

I built a leprechaun trap that was made to look like a tiny hotel. There was a ramp where the leprechaun could walk into the hotel, see a Lego pot of gold on the other side, try to reach it, fall through a trap door, go through a tube, wind up in a biscuit tin, and be trapped. My mom, encouraging my madness, told me that the leprechaun might escape and that I needed a shot glass of whiskey down there to keep him occupied while he was in there.

Everyone has days where they don't get their way, where you have to go to bed early or you have too much homework to do or you can't eat the candy that you want or you miss your favorite TV show and, in those moments, you just want to tear the whole world down.

Once you train an audience to look for significance, they start to find it everywhere.

If you ask anyone in animation, how long they've been into animation, they'll pretty much always tell you that it's since they can remember, and I'm no exception.

I try to be a man of mystery. I try to keep the various projects I'm up to as close to the vest as possible until it's time to reveal them.

I've always loved The Simpsons, just because it was really, really funny. As a kid, you love the characters. You know that the dad is dumb and frustrated, and you know that the boy is smarter than everyone else around him and is constantly getting into mischief.