Traditionally, lots of vagrants and unemployable characters wind up working in kitchens.

You really only understand whether a song's good or not when you properly play it out in public for the first time.

You can't write for the cultural environment - if you do that, by the time it comes out, that cultural environment has passed. You have to be aiming for something that's original - that's the only way you can have any kind of impact.

Traditionally, lots of vagrants and unemployable characters wind up working in kitchens.

No matter what you do, if you're trying to create something new, your environment has a massive impact on you.

You're letting such a fragile side of yourself out when you're creating or writing music. To do that with people who are almost strangers would seem very strange to me. I think that we're very lucky that we're quite close. To us, it's almost like the band is the grandest possible adventure you can go on with your friends. It's really really exciting.

For me upward social mobility is possible through talent and hard work and is a glowing endorsement of the benefits of living in a modern capitalist society. It's not so much evidence of a meritocracy, as evidence of healthy nepotism. Nepotism is at the core of a good group dynamic. A good group dynamic is at the core of rock'n'roll.