You're letting such a fragile side of yourself out when you're creating or writing music. To do that with people who are almost strangers would seem very strange to me. I think that we're very lucky that we're quite close. To us, it's almost like the band is the grandest possible adventure you can go on with your friends. It's really really exciting.

Anyone can play an instrument if you show them how to move their limbs, lips or fingers the right way. It's irrelevant. What is relevant is personality, energy, creativity and disturbing sense of humour.

Boho to me is a first-year student who's just discovered the tie-dye shop.

You can always have it better. If you try... [This is the right attitude:] Never to feel [completely] satisfied, always to want to do something better!

I want to make music that will make the blood surge in your veins, music that will get people up and dance.

I want to change and try new ideas - allowing your sonic identity to evolve in your music and not being afraid of that. You see musicians hit upon something that works, and then go, "Let's keep doing that for 10 years." And that idea kind of terrifies me a little bit. It becomes like a day job then.

Just because you can leap off a drum kit doing a scissors kick while hitting a chord, people expect you to be an extrovert socially. But I'm not always comfortable with the idea of small talk at a party.