I lived in London for small amounts of time, and in Florida and New York.

I always work with the same composer, his name is Ali Helnwein. I don't have a musical background.

When I'm shooting in other cities, I'm just trying to make it look like California.

I never plan anything in an analytical way before I shoot, but when I look back there seems to be kind of a primary color palette.

I think that's one of the reasons it's nice to leave out a lot; it can become a lot more personal to people if there is room for them to put their own experiential time track on it.

With photography, I like to leave a lot of the story, even to myself.

It's always really scary to release new work.