I can't even imagine what it is like to make a movie that lasts two hours.

I can't even imagine what it is like to make a movie that lasts two hours.

When I'm shooting in other cities, I'm just trying to make it look like California.

It's hard for me to approach [a film] as a still image now that I know exactly what it takes to make a movie. I mean, I know what it takes to make a movie that lasts five minutes.

I always work with the same composer, his name is Ali Helnwein. I don't have a musical background.

With photography, I like to leave a lot of the story, even to myself.

I think that's one of the reasons it's nice to leave out a lot; it can become a lot more personal to people if there is room for them to put their own experiential time track on it.