I can't even imagine what it is like to make a movie that lasts two hours.

I like to use really basic or classic colors, things that people have seen over and over and over again. Primary colors, at least in photography, have been around a lot longer than neon colors and really vibrant purples, hot pinks. Red, blue, yellow, orange - because of Kodachrome and the way that things were produced I think that those colors stood out more than any others.

I lived in London for small amounts of time, and in Florida and New York.

The eyes sparked a lot of things for me, it could be somebody remembering something they had witnessed or heard about, or it could be the person in the photograph that was experiencing a tragedy or it could also be the spectator looking on from a safe distance.

I never plan anything in an analytical way before I shoot, but when I look back there seems to be kind of a primary color palette.

I always work with the same composer, his name is Ali Helnwein. I don't have a musical background.

I can't even imagine what it is like to make a movie that lasts two hours.