I think that's one of the reasons it's nice to leave out a lot; it can become a lot more personal to people if there is room for them to put their own experiential time track on it.

With photography, I like to leave a lot of the story, even to myself.

I never plan anything in an analytical way before I shoot, but when I look back there seems to be kind of a primary color palette.

I am looking for the disconnected connection

It's always really scary to release new work.

It's hard for me to approach [a film] as a still image now that I know exactly what it takes to make a movie. I mean, I know what it takes to make a movie that lasts five minutes.

I lived in London for small amounts of time, and in Florida and New York.