When I'm shooting in other cities, I'm just trying to make it look like California.

I never plan anything in an analytical way before I shoot, but when I look back there seems to be kind of a primary color palette.

I think that's one of the reasons it's nice to leave out a lot; it can become a lot more personal to people if there is room for them to put their own experiential time track on it.

I lived in London for small amounts of time, and in Florida and New York.

When I'm shooting in other cities, I'm just trying to make it look like California.

The eyes sparked a lot of things for me, it could be somebody remembering something they had witnessed or heard about, or it could be the person in the photograph that was experiencing a tragedy or it could also be the spectator looking on from a safe distance.

It's always really scary to release new work.