Traditional photojournalists arrive with an idea of what they are going to produce or what the editor wants. I approach a subject very much as a street photographer and a wanderer, without preconceptions. I try to leave it extremely intuitive and exploratory.

Ultimately, the reward is the process - the process of photographing and discovering and trying to understand why and what am I photographing.

The viewer is yet another eye that is part of the compact that makes a photograph what it is.

To a certain extent what I do is play with the world, but it's disciplined play.

I'm always playing along that line: adding something more, yet keeping it sort of chaos.

Traditional photojournalists arrive with an idea of what they are going to produce or what the editor wants. I approach a subject very much as a street photographer and a wanderer, without preconceptions. I try to leave it extremely intuitive and exploratory.

... the possibility of one particular photographer's pictures lying around the corner is never realized until the photographer is there. It's one of the enigmas of photography.