I do feel like L.A. has a very supportive and collaborative energy. I felt that in New York too but also there's so much space here! You can have a home studio. In New York you had to rent a room to do a session or to practice. As a solo artist, it was a lot more expensive. Here there is that comfort in lifestyle a little bit more, being able to breathe a little bit more, and creatively flow, not having to stress about how to get our gear there in a cab and pay by the hour, it's just a different vibe.

Obviously, you've spent some time in New York. I moved there and it was a bit much. It was a bit overwhelming for me. I didn't want to go out. I just felt a little homesick. I was just waiting to feel excited about something. I went through a phase of feeling kind of dull. It's really easy to shut off in New York and stay in your apartment.

I took opera lessons. I can't read music to save my life, but I would just copy and get away with it. I think that they thought I could read music, but I can't. I would just listen. It was really me just mimicking. That's one of the reasons I decided I didn't want to do that anymore.

The influence is really all over the place. Detroit, definitely because of Motown and Stooges. When you come from a place like Detroit, you're really proud of what you have there.

I grew up listening to a lot of that stuff, Motown and Stooges. But also early rock-and-roll like Chuck Berry, Little Richard, Jerry Lee Lewis, and Elvis Presley. I feel like as I grew older, I've been working with different musicians, people that have are constantly showing me different things.

I'm actually one of the few kids in my grade, especially girls, who didn't end up going to college, just because I already knew what I wanted to do. I had already been actively working in music before I graduated.

I hate saying I'm a new musician, because I've been doing this forever, but they like to put new musicians on a lot of weird bills.