My fingers always seem busier than my mind.

The trouble with a lot of artists today is that they have too much technique and equipment. They don't know what to do with it all. If you cut down on it, you can work more strongly within narrower limits.

That others grasp what I have in mind seems unessential, at least as long as they have something else in theirs.

The sense of motion in painting and sculpture has long been considered as one of the primary elements of the composition.

You see nature and then you try to emulate it.

My fingers always seem busier than my mind.

Why must art be static? You look at an abstraction, sculptured or painted, an entirely exciting arrangement of planes, spheres, nuclei, entirely without meaning. It would be perfect but it is always still. The next step in sculpture is motion.