It's my experience that people don't think of fiction writing as being as intellectually serious as other kinds of writing in academia and so without a career as a critic or essayist you can be treated as something of a spiritual medium - a fraud - for "just" writing fiction.

The secret to being a rider in the hippodrome wasn't that you must be agile, or that you must be good with horses...It was that you must hide inside your costume a little of a killer's heart.

It's my experience that people don't think of fiction writing as being as intellectually serious as other kinds of writing in academia and so without a career as a critic or essayist you can be treated as something of a spiritual medium - a fraud - for "just" writing fiction.

I knew it was a risk but what I was after was a novel that is about the feeling that comes with a coincidence in real life - that you feel as if something divine has intervened and has arrived with a message.

Throughout my reading life, I've enjoyed many memorable meals-if only fictionally. The oysters at dinner near the beginning of Anna Karenina, the dinner Nana throws for her overflowing guests in Zola's Nana, the walk through Les Halles for breakfast in Baldwin's Giovanni's Room, and nearly every meal in Monique Truong's The Book of Salt.

PhD, MFA, self-taught - the only things you must have to become a writer are the stamina to continue and a wily, cagey heart in the face of extremity, failure, and success.

I realized that my identity as a novelist was private. Only I knew how much of a novelist I was!