Were "A Clockwork Orange" or "Blue Velvet" released today, would they have the same power to shock that they had when they came out? Are we too inured by that torrent of images and the ridiculousness of modern political life, so that nothing shocks us anymore? What does it take to shock someone today - or at least jolt them? I don't have an answer. I'm just asking the question.
Alexander PayneI spend a long time casting, but once I've cast a film there's a reason why I selected those people. So I'm hands-on in selecting the cast, hands-off to see what they do with their characters, and hands-on again to offer suggestions.
Alexander PayneI mean, look, I love movies, not just the ones I make... In fact, I don't like the movies I make very much.
Alexander PayneMarketing has supplanted story as the primary force behind the worthiness of making a film, and that's a very sad thing. It's film only as a function of consumerism rather than as an important component of our culture, and that's everywhere around the world.
Alexander PayneI'm considered to some degree a successful director working in Hollywood, making films my way but using studio financing. But with almost every single one, I get praised up the wazoo by people who never would have financed the films. It's: "Gee, this movie is so new and different - what do you want to do next?" "This." "Oh, that's too new and different."
Alexander Payne