I'm pretty intense when it comes to relationships, platonic ones as well. If I feel a connection with someone, I'm willing to go there.

It was such an amazing experience to be able to spend nine days on a boat with these Greenpeace people. Some of them were scientists and some were crew members working on the ship. Just to hear their stories, like what drew them to Greenpeace in the first place and what they've been through. Every single second of the day they work to save the planet, which makes me as an actor feel quite insignificant.

For me, creatively, I'd suffocate if I played the same thing, over and over again. I want challenges. I want to sit down with a director and be like, "I've never done this before, but it's going to be exciting. It's scary, but really thrilling, so let's do it!"

If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.

You can never connect on a deeper level if you idolise someone - you don't see the real person.

My plan was never to be an actor like my father...

When we were shooting in Shreveport, me and a couple of friends went down to Lafayette, because they had a big Zydeco music festival down there. We spent two days dancing to Zydeco music, eating fried alligator... It was one of the craziest festivals I've ever been to in my life, but I loved it.