I don't think we have all the words in a single vocabulary to explain what we are or why we are. I don't think we have the range of emotion to fully feel what someone else is feeling. I don't think any of us can sit in judgment of another human being. We're incomplete creatures, barely scraping by. Is it possible--from the perspective of this quickly spinning Earth and our speedy journey from crib to coffin--to know the difference between right, wrong, good, and evil? I don't know if it's even useful to try.

What is important is the story. Because when we are all dust and teeth and kicked-up bits of skin - when we're dancing with our own skeletons - our words might be all that's left of us.

I am becoming increasingly difficult to please as a reader, but I adore being surprised by a really wonderful book, written by someone I've never heard of before.

The rains are rhythmic, coming religiously in the afternoons (after lunch has been eaten but before tea, so that the nights are washed clean-black with bright pinpoints of silver starlight hanging over a restless, grateful earth).

I love my mother so much, because I see the whole of her.

You can't rewind war. It spools on, and on, and on, looping and jumping, distorted and cracked with age, and the stories contract until only the nuggets of hatred remain and no one can even remember, or imagine, why the war was organized in the first place.

I don't think we have all the words in a single vocabulary to explain what we are or why we are. I don't think we have the range of emotion to fully feel what someone else is feeling. I don't think any of us can sit in judgment of another human being. We're incomplete creatures, barely scraping by. Is it possible--from the perspective of this quickly spinning Earth and our speedy journey from crib to coffin--to know the difference between right, wrong, good, and evil? I don't know if it's even useful to try.