What is important is the story. Because when we are all dust and teeth and kicked-up bits of skin - when we're dancing with our own skeletons - our words might be all that's left of us.

I love my mother so much, because I see the whole of her.

What is important is the story. Because when we are all dust and teeth and kicked-up bits of skin - when we're dancing with our own skeletons - our words might be all that's left of us.

Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both.

The rains are rhythmic, coming religiously in the afternoons (after lunch has been eaten but before tea, so that the nights are washed clean-black with bright pinpoints of silver starlight hanging over a restless, grateful earth).

One of the things about being raised British in Africa is that you get this double whammy of toughness. The continent in place itself made you quite tough. And then you've got this British mother whose entire being rejects 'coddling' in case it makes you too soft. So there's absolutely nothing standing between you and a fairly rough experience.

It's a long day's drive any way you look at it. With a man who has taken your sins - real and imagined - and stitched them onto the sackcloth of his own soul, it is endless.