The British feel of blues has been hard, rather than emotional. Far too much emphasis on 12 bar, too little attention to words, far too little originality.

I had always intended to make a living out of playing blues. But I never admitted it to myself. I don't suppose I could have given a logical reason for it ever becoming possible to do so.

In those days, between the ages of 12 and 18 you meant nothing. You were the extra place at the side table if someone came to dinner. You were of no interest to anyone.

Blues and jazz pulled me away from what was left of my family.

If the same phrase in the same place created the right effect, I was perfectly prepared to use it every time. I wasn't worried that I wasn't improvising.

I wanted to be able to play guitar. I wanted to be able to make music hurt.

Every musical movement that is big enough has to produce some good musicians who wouldn't have had the incentive to start playing without it.