In 1940 I came across a record by Jimmy Yancey. I can't say how important that record is. From then on, all I wanted to do was play the blues.

The parallel development in American blues to the British movement has resulted in Johnny Winters.

Once you became associated with a children's show, you're finished.

I'm a compulsive musician, but it's also a bloody good way out of having to do anything else.

The British feel of blues has been hard, rather than emotional. Far too much emphasis on 12 bar, too little attention to words, far too little originality.

I must have been heavily schizophrenic all my life. The me who hears what the other me can't play is the dominant one.

I was considered as a jazz man rather than as a blues player. There were no blues players-you played one sort of jazz of another sort of jazz.