Once you became associated with a children's show, you're finished.

If the same phrase in the same place created the right effect, I was perfectly prepared to use it every time. I wasn't worried that I wasn't improvising.

The British feel of blues has been hard, rather than emotional. Far too much emphasis on 12 bar, too little attention to words, far too little originality.

In 1940 I came across a record by Jimmy Yancey. I can't say how important that record is. From then on, all I wanted to do was play the blues.

The parallel development in American blues to the British movement has resulted in Johnny Winters.

I was considered as a jazz man rather than as a blues player. There were no blues players-you played one sort of jazz of another sort of jazz.

Blues and jazz pulled me away from what was left of my family.