I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive; that's not really the kind of music that I'm into.

There's another thing that you don't want to take for granted, and that's the reality of there being an audience there each night. It's pretty amazing that that can happen around the world.

In the recording process, sometimes people feel that there isn't a space for them to contribute.

It's an example of when three people think something's brilliant and one thinks it's terrible. I suppose that's what improvising can be like because you just don't really know how anyone's feeling about it. You come off stage like, "Was that good?"

When a band first comes along, they should be confusing and doing something people don't accept. You don't want the first reaction to just be, "Oh, I get that."

There is no decision to be more or less comic. I don't feel more or less humorous in my day-to-day. These things are accidental.

I find it really disappointing and cheap when someone's copied the whole drum sound from a record.