I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive; that's not really the kind of music that I'm into.

I was listening to a lot more folk music. I love the sound of acoustic guitars but I didn't want to be that person standing up there strumming away.

I like listening to music on a Discman, where the CD spins, and the fact that it's weird to listen to something on a Discman when most people have an iPod, even though those have an internal hard drive that's spinning, too.

When I first started doing stuff outside of Hot Chip, I got the impression that Joe Goddard was a bit concerned. But I said, "I really want to record these songs quickly and not turn them into dance music." And he was fairly supportive - maybe not wholly supportive. But then you learn that no one's about to quit the band, so it seems good and healthy.

When you're making the record, you're not thinking about an audience, but you still need them and you want them.

We're still making Hot Chip records whilst doing these other things, so why not just try and make music you enjoy making rather than being tied down by things? It would just be crazy to not allow people to make music.

I think being a DJ is that thing of learning what makes a crowd move. As a DJ, you're constantly learning. It's like chess or something. After a couple of years, you think you're good, then you see a real DJ that's been doing it for 20 years and they just blow you away. I think that's one of the things I like about DJing: you can get better and better and better.