When you're making the record, you're not thinking about an audience, but you still need them and you want them.

I don't love CDs more than anything else, but I was just playing around with the idea that they could be something you're momentarily keeping hold of as everything is passing by.

It's an example of when three people think something's brilliant and one thinks it's terrible. I suppose that's what improvising can be like because you just don't really know how anyone's feeling about it. You come off stage like, "Was that good?"

For me, the audience is the most important thing in the whole chain, so finding out how they respond to things is a learning curve at all times.

When you're making the record, you're not thinking about an audience, but you still need them and you want them.

A lot of people in the crowd want to be told what to do; if you just put your hands up, they do it.

I know that I can't ever write a song that just sounds completely saccharin. Even if I'm singing about someone being my complete love life, I'm singing about my own inabilities to be as bright as that person.