It's an example of when three people think something's brilliant and one thinks it's terrible. I suppose that's what improvising can be like because you just don't really know how anyone's feeling about it. You come off stage like, "Was that good?"

When you're making the record, you're not thinking about an audience, but you still need them and you want them.

It's not like that because the improvisation makes it automatically democratic. No one's leading anything. I didn't have to worry about anyone feeling involved. It was just the most natural, easy process of making music.

I've always found it interesting when I'm the person in the audience feeling mismatched by what I've seen or heard. The shows I've taken the most from I may have not liked while I was there listening to it but, maybe an hour later, there's suddenly a lightening bolt out of the blue: "Oh, I'd see them again."

It's an example of when three people think something's brilliant and one thinks it's terrible. I suppose that's what improvising can be like because you just don't really know how anyone's feeling about it. You come off stage like, "Was that good?"

I don't love CDs more than anything else, but I was just playing around with the idea that they could be something you're momentarily keeping hold of as everything is passing by.

I like the fact that everyone is nostalgic for vinyl, and I'm being nostalgic for CDs, which are like the new outdated things that no one is going to mourn the loss of - everyone's already written them off.