A lot of people in the crowd want to be told what to do; if you just put your hands up, they do it.

I've always found it interesting when I'm the person in the audience feeling mismatched by what I've seen or heard. The shows I've taken the most from I may have not liked while I was there listening to it but, maybe an hour later, there's suddenly a lightening bolt out of the blue: "Oh, I'd see them again."

You're trying to make music, and then at the end of it you give reasons for everything.

I find it really disappointing and cheap when someone's copied the whole drum sound from a record.

There's another thing that you don't want to take for granted, and that's the reality of there being an audience there each night. It's pretty amazing that that can happen around the world.

It's an example of when three people think something's brilliant and one thinks it's terrible. I suppose that's what improvising can be like because you just don't really know how anyone's feeling about it. You come off stage like, "Was that good?"

To stop for years and then discover that the audience is getting smaller and smaller would be demoralizing.