I've always found it interesting when I'm the person in the audience feeling mismatched by what I've seen or heard. The shows I've taken the most from I may have not liked while I was there listening to it but, maybe an hour later, there's suddenly a lightening bolt out of the blue: "Oh, I'd see them again."

I find it really disappointing and cheap when someone's copied the whole drum sound from a record.

I'll also listen to music on a Discman and realize how nice it can sound when it's not compressed to MP3 format.

I like listening to music on a Discman, where the CD spins, and the fact that it's weird to listen to something on a Discman when most people have an iPod, even though those have an internal hard drive that's spinning, too.

If you can do something that doesn't rely on a major melody but still sounds immediate rather than being obtuse and devoid of anything to catch onto, that's great.

When I first started doing stuff outside of Hot Chip, I got the impression that Joe Goddard was a bit concerned. But I said, "I really want to record these songs quickly and not turn them into dance music." And he was fairly supportive - maybe not wholly supportive. But then you learn that no one's about to quit the band, so it seems good and healthy.

I know that I can't ever write a song that just sounds completely saccharin. Even if I'm singing about someone being my complete love life, I'm singing about my own inabilities to be as bright as that person.