You can write a whole fiction, and you're talking to people who have gone through that, in real life. But the truth of it is that when you're talking to those people, you don't care about your movie anymore. You just want to hear about what they have gone through. You want all of the details. It's amazing.

I have my misgivings about 3-D. I don't like the lack of blacks and whites, how it dulls the image, how the color gets corrupted. I don't necessarily like the experience of having heavy glasses in front of me.

I used to be very controlling with visuals and editing, and I would pretty much craft the performances; now I have learned to trust the material and the actors.

As a director, you're only as good as your collaborators. You surround with collaborators that are going to understand what you're trying to do. Not only that, they're going to push and fight for what you're trying to do.

A budget is not an issue. I mean a budget is used if you need more weeks or more time or more elements, but the creative process is exactly the same. In some instances you become more of a boss when you are doing a small movie. So that is not so relevant. The only thing is that the bigger a movie is in terms of budget, is that there are more people giving opinions.

When you strip hope from people, it leaves a void, and that void needs to be filled. And very likely, that void is going to be filled by an ideology... Hope and faith are so connected. Now, when ideology connects with faith, the ideology becomes an item of faith, not a point of discussion.

If I would rescue one of my movies, it would be 'A Little Princess.'