You have to be very focused about the music that you have inside.

You can write a whole fiction, and you're talking to people who have gone through that, in real life. But the truth of it is that when you're talking to those people, you don't care about your movie anymore. You just want to hear about what they have gone through. You want all of the details. It's amazing.

I've been very lucky in that the studios really respect me and they give me all my creative freedom. But nevertheless, they are inputs, they have opinions. It's the same thing for me as if you're in a shower and you're coming up with a tune, with a melody, but there are 70 people trying to sing their own melody at the same time. So you have to focus and concentrate, and not lose the track of your melody.

I really believe there is the possibility of something great that can happen in the right hands.

The amazing thing is that the more money it takes for a movie to get made, the more you feel like everybody wants you to fail.

I have my misgivings about 3-D. I don't like the lack of blacks and whites, how it dulls the image, how the color gets corrupted. I don't necessarily like the experience of having heavy glasses in front of me.

As a director, you're only as good as your collaborators. You surround with collaborators that are going to understand what you're trying to do. Not only that, they're going to push and fight for what you're trying to do.