We liked the idea that it was a low-tech future. But everything always repeats the past. If you look today and look at something in the middle east where you got people getting beheaded it's like the crusades with Twitter. It's crazy, human nature does the same thing. In a way, even though you're in the future people wanted order so this sort of system rose up.

Some of the key components, we wanted it to be so far into the future that you weren't talking about our time. I was joking that the AMC cinematic universe is after the zombie apocalypse by hundreds and hundreds of years.

Most fight sequences on a television show, probably any action adventure show that you know of, if you asked them how long they probably spend, [it's] one or two days doing the fight. Where we were spending eight days concurrently with an episode doing our fight sequences.

Miles and I had been looking to do a martial arts show for some time. Our first two movies that we wrote were "Lethal Weapon 4" and "Shanghai Noon" with Jackie Chan. Then we sort of got pulled into the superhero world, but then you look around at what's not on television and there wasn't really a martial arts shows. There are shows that do martial arts to a degree, but there's not a martial arts show.

Whenever you do something that's original, not based on a comic book or a novel or an old movie or a franchise, you definitely learn a lot and for I think it was very gratifying to see the people embrace the world.

As a network, they're not the network that usually picks things up after the first episode airs. They definitely have a methodology that they follow. But they're very happy with the show [Into the Badlands]and they're very excited with how it's performed.

And having those mystical elements you see in Asian cinema and certainly Asian martial arts cinema, it's something that we wanted to begin to introduce - the idea of spirituality and the idea of there being something else out in the world besides people who are great fighters.