Television has always been a conversation. Movies come along and they're kind of like three-ring circuses, and there's a new one next week.

So the idea was that, some catastrophic event had happened. There was a long dark age and then out of that, 100 years ago in this world, seven barons - these men and women - rose up and formed the new society. It's a feudal world, a part feudal barons and part warlord and part mob boss and they each control a huge resource so that there's an uneasy alliance, but they all need each other.

As a network, they're not the network that usually picks things up after the first episode airs. They definitely have a methodology that they follow. But they're very happy with the show [Into the Badlands]and they're very excited with how it's performed.

Television has always been a conversation. Movies come along and they're kind of like three-ring circuses, and there's a new one next week.

Miles and I had been looking to do a martial arts show for some time. Our first two movies that we wrote were "Lethal Weapon 4" and "Shanghai Noon" with Jackie Chan. Then we sort of got pulled into the superhero world, but then you look around at what's not on television and there wasn't really a martial arts shows. There are shows that do martial arts to a degree, but there's not a martial arts show.

We liked the idea that it was a low-tech future. But everything always repeats the past. If you look today and look at something in the middle east where you got people getting beheaded it's like the crusades with Twitter. It's crazy, human nature does the same thing. In a way, even though you're in the future people wanted order so this sort of system rose up.

Most fight sequences on a television show, probably any action adventure show that you know of, if you asked them how long they probably spend, [it's] one or two days doing the fight. Where we were spending eight days concurrently with an episode doing our fight sequences.