Even at drama school if there was a part of some eastern European thug it would be me.

The big stars I felt a kinship with were never the romantic leads. It wasn't Steve McQueen or Robert Redford - it was people like Walter Matthau and Anthony Quinn. My big hero was Tommy Cooper.

I think enjoying each other in a creative way is usually a result of when you're doing something that might be problematic - might be a little difficult to uncover. I've done it once in a stage production; we came in for two days and, just as an experiment, the director had us reading each other's roles. You hear another voice interpreting a line that maybe you were having trouble with. It can be very helpful. But we weren't really in the kind of situation where that was necessary.

And I think it's because good cons are all based on the victim's need, and the successful con artist is the one, I guess, who can exploit that. I remember reading something about this, that one of the great traits of confidence tricksters is the level that they flatter their victim.

I love playing villains.

When I look back on my career - if that's what it is - it looks a bit like a crazy quilt, and I think it's just really because, when one job has finished, I've never really been in a position where I had three or four options.

I think it would be a problem if Hollywood was casting British actors only as villains; if that were the case, then certainly there would be cause for concern.