And so getting to meet Aubrey Plaza and Mae Whitman and getting to know two awesome girls who are just kick-ass. It's been nice that way where we probably wouldn't have worked together on any other crazy project. And just like you know Chris Evans teaching us all the high-five because he's dealing with like non-jocks (laughter) and we're like yeah!

It's not just politicians who underestimate us; we underestimate ourselves.

Nobody wants anything bad to happen; the other side isn't evil.

I would say my favorite was just the beginning of the movie like doing all the rehearsal stuff. It's been amazing to see the rest of it happen but it happens so piecemeal. And Edgar sort of has the whole movie edited in his head already, so we're just sort of matching to what he has.

I don't have any trouble believing that you would avoid something seemingly perfect because you're in something you really want to prove to yourself you can do right.

One of my favorite things in watching an actor is feeling, The story is safe in your hands. I can lean back and trust you with this.

I find that a lot of my best character stuff and ideas come unwittingly from novels. In scripts, it's a lot about the outward signs of whatever's happening - you have the end result. Whereas in a novel you get a buildup of the whys and wherefores, and you're let into the backstory.