I don't have any trouble believing that you would avoid something seemingly perfect because you're in something you really want to prove to yourself you can do right.

I think a lot of people try to plan things in their career. They feel like, If I don't get this done by the time I'm thirty, everything's over. But I've worked with a lot of people whose careers shot to the top later in life.

And I loved seeing that because they're great interesting cities in of themselves so I'm looking forward to actually being able to use it as itself instead of being a bad New York.

I mean I feel like we've shot all these different movies. Like the first 2 weeks of shooting was all Steve Stills apartment and band rehearsal, you know? And so it was like this tiny little group of people and small set comparatively and it just looked like a Toronto apartment. And then we sort of kept ramping up further and further until now we're here in this giant like craziest set I've ever seen with LCD crazy lights that go....you know?

When women are in positions of power it's a hard place to be, especially when that position involves bossing men around.

I find it very hard to believe that people would prefer an awkward picture with me than a normal conversation.

The biggest thing I've noticed with some of my favorite directors is their gift of sticking a bunch of strangers in a room together and making them comfortable and making them into a cohesive group. There's magic involved, because you don't know why anybody would pick this group of people.