Sitting out of politics isn't really an option if you don't want things to slide.

I would say my favorite was just the beginning of the movie like doing all the rehearsal stuff. It's been amazing to see the rest of it happen but it happens so piecemeal. And Edgar sort of has the whole movie edited in his head already, so we're just sort of matching to what he has.

One of the great things about this cast is that we've been able to take actors of relatively the same age group that would never usually meet. You know, like bridging the comedy/drama world that for some reason casting directors never really want to bridge or you get into one community and that's kind of it.

I guess the biggest world difference you can make is in people's relations to their own emotions, 'cause emotions rule so much of our daily life, and I think that's where we work.

And so getting to meet Aubrey Plaza and Mae Whitman and getting to know two awesome girls who are just kick-ass. It's been nice that way where we probably wouldn't have worked together on any other crazy project. And just like you know Chris Evans teaching us all the high-five because he's dealing with like non-jocks (laughter) and we're like yeah!

When you're in film and you're in close, charisma in the eyes and confidence can take over. But when someone's sitting twenty rows back, you need the whole body. You need to be encompassed by an actor.

True badassery has no gender.