Some people get fake boobs, but whatever. You can make your own decisions.

The script is a bible and it's this unchangeable document that somebody spent years and years on.

I would say my favorite was just the beginning of the movie like doing all the rehearsal stuff. It's been amazing to see the rest of it happen but it happens so piecemeal. And Edgar sort of has the whole movie edited in his head already, so we're just sort of matching to what he has.

And so getting to meet Aubrey Plaza and Mae Whitman and getting to know two awesome girls who are just kick-ass. It's been nice that way where we probably wouldn't have worked together on any other crazy project. And just like you know Chris Evans teaching us all the high-five because he's dealing with like non-jocks (laughter) and we're like yeah!

I think a lot of people try to plan things in their career. They feel like, If I don't get this done by the time I'm thirty, everything's over. But I've worked with a lot of people whose careers shot to the top later in life.

I guess the biggest world difference you can make is in people's relations to their own emotions, 'cause emotions rule so much of our daily life, and I think that's where we work.

And then we came here for three weeks of band rehearsal with [music consultant/member of the band "Sloan"] Chris Murphy. And I grew up in Toronto during Sloan's heyday, so like I was like "Oh my god!" And so that was pretty cool.