Well, it's sort of funny to try and get that balance between just accepting the reality of my friend [co-star Satya Bhabha] flying in from the ceiling of the theatre and like starting to do a dance with demon hipster chicks. It's like, so how do we react when he throws fireballs? Are we surprised? Does this happen a lot?

One of the great things about this cast is that we've been able to take actors of relatively the same age group that would never usually meet. You know, like bridging the comedy/drama world that for some reason casting directors never really want to bridge or you get into one community and that's kind of it.

Secrets are great for acting. Secrets are the best thing in the world for acting, because they keep you looking like you have something in the back of your mind.

Sitting out of politics isn't really an option if you don't want things to slide.

I guess the biggest world difference you can make is in people's relations to their own emotions, 'cause emotions rule so much of our daily life, and I think that's where we work.

I would say my favorite was just the beginning of the movie like doing all the rehearsal stuff. It's been amazing to see the rest of it happen but it happens so piecemeal. And Edgar sort of has the whole movie edited in his head already, so we're just sort of matching to what he has.

We need to organize and figure out our own voice as a bloc and stop doubting ourselves.