I didn't know the comic at all, which is really funny because I grew up here and I had friends who worked at all of the places. Like The Beguiling, which is a store here, and Suspect Video and one of my friends actually worked at Suspect and The Beguiling. So it's kind of crazy that I'd never known the books before.

When you're in film and you're in close, charisma in the eyes and confidence can take over. But when someone's sitting twenty rows back, you need the whole body. You need to be encompassed by an actor.

We need to organize and figure out our own voice as a bloc and stop doubting ourselves.

The best thing about serial drama - especially about screwball comedy - is blocked love.

You only live once. Trying to do the right thing for other people often doesnt work out, and you have to follow your own path in order to make things work out best for everyone.

True badassery has no gender.

I mean I feel like we've shot all these different movies. Like the first 2 weeks of shooting was all Steve Stills apartment and band rehearsal, you know? And so it was like this tiny little group of people and small set comparatively and it just looked like a Toronto apartment. And then we sort of kept ramping up further and further until now we're here in this giant like craziest set I've ever seen with LCD crazy lights that go....you know?