I learned to drum and I'm very excited today. Well, first of all I got to...I learned when I was in New York I sort of did some prepping with just learning basic stuff like beating my couch next to my drum teacher, who's this incredible guy named Charlie Green.

And then we came here for three weeks of band rehearsal with [music consultant/member of the band "Sloan"] Chris Murphy. And I grew up in Toronto during Sloan's heyday, so like I was like "Oh my god!" And so that was pretty cool.

I don't have any trouble believing that you would avoid something seemingly perfect because you're in something you really want to prove to yourself you can do right.

I didn't like most of my boyfriends. I'm a perfect example of somebody who will make it work no matter what. Like, I once had a guy move in with me. He was my least favorite. Nobody who went out with us knew that we were together. I just would not give off the vibe.

The biggest thing I've noticed with some of my favorite directors is their gift of sticking a bunch of strangers in a room together and making them comfortable and making them into a cohesive group. There's magic involved, because you don't know why anybody would pick this group of people.

Sitting out of politics isn't really an option if you don't want things to slide.

And so getting to meet Aubrey Plaza and Mae Whitman and getting to know two awesome girls who are just kick-ass. It's been nice that way where we probably wouldn't have worked together on any other crazy project. And just like you know Chris Evans teaching us all the high-five because he's dealing with like non-jocks (laughter) and we're like yeah!