I really want readers to put themselves into the shoes of each character. So the opening lines are an orienting technique: this is where you are, this is who you are. Go.

I think what tends to embarrass me most is how much I struggle at the little things that seem to come so easily to most people, mainly involving routine and self-care. It's hard for me to do things like cook a meal, not be in a constant apocalyptically late rush everywhere I go, to put something back when I'm finished with it. I seem to be hardwired for chaos and disorganization.

With surgical insight, Inside Madeline delves into the most complex female territory imaginable and dissects until every honest bone is revealed. Bomer's prose doesn't flinch, doesn't filter-the bravery of these stories left me breathless.

Las Vegas is incredible. Either you love it or you're a classy person with morals. I fall into the former category. It's definitely bled into my writing.

I think that in our culture there is this message to males that any time you can have sex with an attractive female, you should do it. But for females you always have to guard yourself against it, sort of keep sex at bay. You don't want to get a reputation, especially when you are under age.

My writing circle isn't too full of people who fall into the "Customers Who Bought This Item Also Bought Tuesdays With Morrie" category.

It's a challenge of to write a narrator who is doing something that is really unlikeable and morally questionable. A lot of times, you read a book because you like the character, you are cheering for the character; you want the best for the character.