Our advanced art approaches a fragile but marvelous life, one that maintains itself by a mere thread, melting into an elusive, changeable configuration, the surroundings, the artist, his work and everyone who comes to it.

Our advanced art approaches a fragile but marvelous life, one that maintains itself by a mere thread, melting into an elusive, changeable configuration, the surroundings, the artist, his work and everyone who comes to it.

The line between art and life should be kept as fluid, and perhaps indistinct, as possible.

Doing life consciously was a compelling notion to me.

The young artist of today need no longer say 'I am a painter,' or 'a poet,' or 'a dancer.' He is simply an 'artist.' All of life will be open to him.

In this context of achievement-and-death, artist who make Happenings are living out the purest melodrama. Their activity embodies the myth of nonsuccess, for Happenings cannot be sold and taken home; they can only be supported.

A walk down 14th street is more amazing than any masterpiece of art.