Our advanced art approaches a fragile but marvelous life, one that maintains itself by a mere thread, melting into an elusive, changeable configuration, the surroundings, the artist, his work and everyone who comes to it.

A walk down 14th street is more amazing than any masterpiece of art.

In this context of achievement-and-death, artist who make Happenings are living out the purest melodrama. Their activity embodies the myth of nonsuccess, for Happenings cannot be sold and taken home; they can only be supported.

Objects of every sort are materials for the new art: paint, food, chairs, electric and neon lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists.

The young artist of today need no longer say 'I am a painter,' or 'a poet,' or 'a dancer.' He is simply an 'artist.' All of life will be open to him.

The line between art and life should be kept as fluid, and perhaps indistinct, as possible.

Our advanced art approaches a fragile but marvelous life, one that maintains itself by a mere thread, melting into an elusive, changeable configuration, the surroundings, the artist, his work and everyone who comes to it.