I'm kind of at the mercy of writers out there. I need a writer out there who wants to write a vehicle for me. Do it and get it to me immediately. I do want to be a lead. I want to play a lead role in a movie.

Aaron Sorkin wrote me one of the best female roles on television, I think. He's a wonderful writer for all people. If he chooses to write, hopefully he'll write something that involves more women next time, because I would love to do it.

It's a little weird accepting your voice coming out of an animated character. You don't buy it at first because it's your voice and none of us like our voices when we hear them recorded back.

I trust other people to tell me if it's too far or tasteless, because there's not too much that I won't do. I like to push the limits. Obviously, that's more dangerous and more fun for everybody.

There was a courtroom scene where my son is convicted of killing Kevin Spacey's character. I find the bloody T-shirt and realize my husband did it. I get up the courage to take the shirt and send it to the police as evidence. I go out of the house for the first time. There was all this stuff I had to do that became quite truncated, because they slimmed down the movie. I understand the American Beauty is brilliant without all that stuff, but for me, personally, it was hard to see all that go.

I can't imagine trying to be in recovery. I mean it would be hard enough with just life going along in a nice way, but then when awful stuff happens, how you maintain the strength to get through it?

Aaron Sorkin uses a lot of the same people again and again - the people he likes. I think if there's ever a part for me, he would consider me for it. I hope so. Sometimes familiarity breeds contempt, other times it helps you. It's just amazing to work with his scripts. There's never any fat in them. It's all perfect, and there's such a rhythm to it. The musicality of his writing - it's so specific and unique to him, and such a joy to play as an actor, because there's no sentimentality.