Acquiring a repertoire in these days, when the vocal literature is so immense, so overwhelming, that the student with sense will devote all his energies to work and not imagine himself a martyr to art.

A student will send me an urgent appeal to hear her, saying she is poor and wants my advice as to whether it is worth while to continue her studies. I invariably refuse such requests.

The real artist has no idea that he is sacrificing himself for art. He does “what he does for one reason and one reason only-he can't help doing it”

Acquiring a repertoire in these days, when the vocal literature is so immense, so overwhelming, that the student with sense will devote all his energies to work and not imagine himself a martyr to art.

One does not study for a goal. The goal is a mere accident.

We are rich in the quantity of songs rather than in the quality. The singer has to go through hundreds of compositions before he finds one that really says something.

In the piano, one has the instrument complete before he begins; but in the case of the voice, the instrument has to be developed by study.