There is a kinship between music and painting - with the same words used to describe both, as when a musical composition is said to have color and a painting to have rhythm.

I have, at times, been absorbed in my work to the point of complete self-oblivion. Once I worked for thirty-six hours without a break - to complete exhaustion; and while I was in the middle of it I didn't even notice.

It is the special privilege of the fine artist to reveal immediate data with a clarity, intensity and purity that promotes them to a special degree of reality.

I can be so involved that I am no longer conscious of my needs or even of any pains. But there also have been many times when I felt the exhaustion - when it was physically painful, but I just couldn't stop.

Every single person is unlike anyone else. Therefore, in creating a portrait of someone... we must look carefully to catch that particular unique quality. In fact, we can neglect nothing because everything we select or do sends a message to the observer.

In the Fragments, sensations are more profound and richly clarified through deliberate and explicit pattern; emotions are given a sequence and development such as the exigencies of practical life rarely permit.

I live an artistic double life: one of classical realism and the other of aesthetic exploration.